Few have been so successful in interrogating and furthering the intersection between electronic music, visual art, technology and science in the past decade as Max Cooper.

Working with collaborators and large-scale institutions like the Barbican, Zaha Hadid Architects and Dolby, Cooper has developed a mixed-media approach to creation.

Whether walk-through light installations, groundbreaking use of immersive sound, or club-ready techno releases, Cooper’s output of electronic exploration makes use of available technology while referencing that which came before it, and does so in a human way.